Uncategorized – Page 4 – Henningham Family Press

Urban Village Fete, Greenwich Peninsula, 21/05/17, noon – 5.30pm

By - David
Posted on May, 19, 2017

Henningham Family Press return to the Urban Village Fete to present a Pop-out DNA Poetry Game. Visitors will use the same body-building rules that DNA uses to build a chain of visual poetry. Just like a human body is built through the writing and reading of base-pairs, solidarity in a body of people is made through our

A Press of One’s Own: The Hogarth Press was the luxury Virginia Woolf couldn’t do without

By - Ping Henningham
Posted on March, 23, 2017March, 23, 2017

Owning the means of production is one of those luxuries which can change your trajectory in life so much, it is a gamechanger. This especially applies if you’re an artist or writer at those fragile early stages where you are full of skills and promise and energy, but have nothing much to your name (yet).

From Here – John McAuliffe

By - David
Posted on June, 27, 2016

I’m pasting this understated masterpiece here so as to never lose it, and in case it helps others like it did me. A digital cutting from The Irish Times: From Here The word for it might disappear, the road run through its invisible wall. The view from here is the border vanishing around an otter,

The Maximum Wage: Website Now Live

By - David
Posted on January, 25, 2016January, 25, 2016

Henningham Family Press are proud to announce our next performance publishing extravaganza: More (lots more!) info coming soon! If you can’t wait, just click on The Maximum Wage logo to see our shiny new website.

Evil Subject Number Three – Zuidervaart’s defence of Arts funding pt.2

By - David
Posted on October, 20, 2014October, 20, 2014

So far Zuidervaart has argued that the Arts are needed, but who should pay for them? And what is the economic argument for doing so? This is what Zuidervaart calls his Public Justice Premise, the second premise of the three found in his book ‘Art In Public’. Zuidervaart argues that Civil Society should be given

Embarkation on a Dazzle Ship

By - David
Posted on February, 23, 2014December, 23, 2022

Embarkation On A Dazzle Ship 2014 Henningham Family Press screenprint edition 20 61cm x 94cm £380 (unframed) Embarkation On A Dazzle Ship is the fourth of four screenprint limited editions that mark the First World War Centenary in 2014. These were commissioned for sale as limited edition screenprints and for reproduction as colour plates in

Pals

By - David
Posted on February, 23, 2014December, 23, 2022

Pals 2014 Henningham Family Press screenprint (metallic gold details) edition 30 35cm x 51cm £180 (unframed) Pals is the third of four screenprint limited editions that mark the First World War Centenary in 2014. These were commissioned for sale as limited edition screenprints and for reproduction as colour plates in a replica of the Active

Cody Kite

By - David
Posted on February, 23, 2014December, 23, 2022

Cody Kite 2014 Henningham Family Press Screenprint edition 17 48cm x 74cm £234 (unframed) Cody Kite is the second of four screenprint limited editions that mark the First World War Centenary in 2014. These were commissioned for sale as limited edition screenprints and for reproduction as colour plates in a replica of the Active Service

Grand Eagle (capitals and columns)

By - David
Posted on January, 28, 2014December, 23, 2022

Grand Eagle (capitals and columns)Henningham Family Press2014Edition 15screenprint28 1/4 x 42in£540 (£690 framed) Acquired by Saison Poetry Library (Royal Festival Hall) Republished in ‘The New Concrete’, ed. Chris McCabe & Victoria Bean, Hayward Publishing. Grand Eagle (capitals and columns) commemorates the centenary of the First World War by recapitulating quotations from our An Unknown Soldier

Union

By - David
Posted on September, 9, 2013December, 23, 2022

Union Henningham Family Press 2013 Edition 15 screenprint 760 x 350 £180 (£348 framed) This print is a simplification of the union flag. We reduced it to the simplest point before diagonals would be lost. A 3mm overlap between the colours (trapping) was taken from the enamel printed signs used on the London Underground.

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